TOEIC Link Listening — Request and Offer Questions: Catching What the Speaker Asks or Offers to Do

A recurring TOEIC Link listening question asks what one speaker requests, suggests, or offers to do — "What does the man ask the woman to do?" or "What does the speaker offer to do?" The answer almost always sits on a single functional line near the end of the conversation, phrased with a small set of polite formulas. This guide shows how to recognize a request/offer question during the preview window, listen for the two or three lines that carry the function, and separate what is asked of someone from what is offered to them so you do not swap the two.

EnglishBlitz Editorial Team·

TOEIC Link Listening — Request and Offer Questions: Catching What the Speaker Asks or Offers to Do

A large share of TOEIC Link Part 3 and Part 4 questions are not asking what happened or where the conversation takes place. They are asking about a single action that one person requests, suggests, recommends, or offers: "What does the woman ask the man to do?" "What does the speaker offer to do?" "What does the man suggest the woman do next?" These are function questions — they test whether you caught the one line where a speaker performs a social act, not whether you understood the whole conversation. The good news is that requests and offers are announced by a small, closed set of polite formulas, and they almost always land in a predictable spot. Once you can recognize the question type in the preview window and listen for the formula, these become some of the most reliable points on the test.

The trap is not comprehension; it is direction. A request goes from one person to another ("please send me the file"), while an offer goes the other way ("I'll send you the file"). The four choices are designed so that the wrong answers describe the right action attached to the wrong person, or the right formula pointing in the wrong direction. Getting these right is a matter of hearing the function and the arrow.

Recognize the question type before the audio plays

Everything starts in the preview window — the seconds before the conversation plays, when you read the three printed questions. As with any listening question, predicting what to listen for during the preview window is what separates a controlled read from a scramble. When a printed question contains ask, request, suggest, recommend, offer, want, or tell … to, flag it as a request/offer question and note who acts on whom:

  • "What does the woman ask the man to do?" → listen for the woman speaking a request to the man.
  • "What does the speaker offer to do?" → listen for the speaker volunteering their own action.
  • "What does the man suggest the woman do?" → listen for the man proposing an action for the woman.

Writing a tiny arrow in the margin — W→M for "woman asks man," or "self" for an offer — costs a second and prevents the most common error, which is choosing the correct action but the wrong performer. This is the same question-type-first discipline you use when you recognize a question type from its first three words in Part 2, applied to the longer formats.

The formulas that signal a request

Requests in business English are polite, which means they hide behind softening frames rather than blunt imperatives. Train your ear for these openings, because the verb that follows one of them is very often the answer:

  • Could you / Would you / Can you … — "Could you send me the updated figures?"
  • Would you mind … — "Would you mind checking the shipment status?"
  • Please … — "Please forward the invoice to accounting."
  • I need you to / I'd like you to … — "I'd like you to confirm the booking."
  • Can I ask you to … — "Can I ask you to cover the front desk?"

When you hear one of these frames, the action verb immediately after it (send, check, forward, confirm, cover) is the requested action. Hold that verb, then match it to the choice that paraphrases it — the correct option will almost never repeat the exact word; it will restate "send me the updated figures" as "provide sales data."

The formulas that signal an offer

Offers point the other way — the speaker volunteers to do something themselves. The signal is almost always a first-person future:

  • I'll / I can / I could … — "I'll email you the schedule this afternoon."
  • Let me … — "Let me look into that for you."
  • Why don't I … / Shall I … — "Why don't I set up the meeting?"
  • I'd be happy to … — "I'd be happy to walk you through the process."

Notice that every one of these has an I as the actor. That is the whole distinction: a request usually starts with you (could you, would you), an offer usually starts with I (I'll, let me). When a question asks "What does the speaker offer to do?" you are hunting for an I-fronted line, and you can safely ignore the you-fronted requests around it.

The suggestion middle ground

"Suggest" and "recommend" questions sit between the two. A suggestion proposes an action without either commanding it or volunteering to do it oneself:

  • Why don't you / Why don't we … — "Why don't we push the deadline back a week?"
  • You should / You might want to … — "You should double-check with the vendor."
  • How about / What about … — "How about meeting on Thursday instead?"
  • Let's … — "Let's split the report between us."

Note that why don't we and let's propose a shared action, while why don't you and you should propose an action for the other person. Read the printed question's subject carefully: "What does the man suggest they do?" points to a we/let's line, while "What does he suggest the woman do?" points to a you should line.

Where the answer sits in the conversation

Request and offer lines cluster in the back half of the conversation, and very often in the final two exchanges. A typical Part 3 arc states a situation or problem in the opening lines, discusses it in the middle, and resolves it at the end with a request or an offer — "So could you send that over by Friday?" / "Sure, and I'll copy the finance team." That closing resolution is exactly where these questions are scored. If the question is the third of three printed questions, expect its answer at the very end; if it is the first, expect it earlier. Mapping questions to their likely position keeps you from spending attention in the wrong place — the same triage you apply when you separate detail questions from gist questions.

Avoiding the direction swap

The single most common wrong answer on these items takes the correct action and attaches it to the wrong person. If the woman says "Could you email the client?" the choices will include both "Email the client" (correct — the man is asked) and a nearby distractor built from something she will do. The defense is the arrow you wrote in the preview window. Before you commit:

  1. Confirm the function. Was it a request (you-fronted), an offer (I-fronted), or a suggestion?
  2. Confirm the performer. Whose action is the question asking about — the requester's or the person being addressed?
  3. Match the paraphrase. Choose the option that restates the action verb, not the one that merely reuses a noun you heard.

Run those three checks and the direction swap disappears.

A worked example

You read: "What does the man offer to do?" You note offer / self in the margin. The conversation:

Woman: The projector in Room B still isn't working, and I have a presentation at two. Man: That's not good. Let me bring the spare unit up from storage before your meeting. Woman: That would really help — thank you.

The let me frame is your offer signal, and the actor is the man. The action is "bring the spare projector." The correct choice paraphrases that as "Provide a replacement projector" or "Set up different equipment." A distractor might say "Give a presentation at two" — a real detail from the audio, but the woman's action, not an offer by the man. Because you fixed offer / self before listening, you never consider it.

Building the habit

Request and offer questions reward a narrow, repeatable listening focus. Practice by pulling only the functional lines out of transcripts: for each conversation, find the one could you / would you or I'll / let me line and label it request or offer with an arrow. Do that across twenty conversations and the formulas will start to jump out of the audio on their own, ahead of the surrounding content. Combine this with reading tone and intonation so you can tell a genuine offer from a polite deflection, and pair it with the preview-window habit so you always know which of the three questions is the request or offer before the speakers even begin. On test day the result is that these items feel less like listening comprehension and more like catching a signal you were already waiting for.